Sherri Matthew ~ Harp

19th century liturgical harp & organ music and Gregorian chant. Early Medieval sacred music and manuscript study.

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Esabelle Harp Goes to Church! & plays accompaniment to 1875 tracker pipe organ...

Published by Sherri Matthew on October 23, 2021
Stoney End cross-strung wire harp Esabelle sits on the organ bench of St. Stephen's Episcopal Church, Middlebury, VT.

Stoney End cross-strung wire harp Esabelle sits on the organ bench of St. Stephen’s Episcopal Church, Middlebury, VT.

On Sunday, October 10 Esabelle harp made her first-ever appearance at St. Stephen’s Episcopal Church in Middlebury, VT! This special cross-strung wire harp played an improvised arrangement of a medieval organanum, Benedicamus Domino (from the Abbey of St. Martial), accompanied by husband George Matthew Jr. on the church’s 1875 Johnson tracker pipe organ.

The organ is tuned to A440 but to prevent wire string breakage her builder designed Esabelle to be tuned to A415 (any higher than that and her wires will start snapping!). So George accompanied my improvisation on the harp, playing a half tone lower on the organ. A lot of sharps!

We are having hybrid services now in the age of Covid, both in person and on Zoom, so Esabelle was fitted with a microphone, as was the organ. The cable came discretely out the back of the harp and I played her standing up, with the instrument sitting on the organ bench next to right next to George and the organ pipes a few feet away from both of us.

Sherri, George & Esabelle

Me playing Esabelle harp while wearing my favorite too-large but warm knitted sweater and George plays the tracker pipe organ.

We have live sound reinforcement in the church, which made the low notes on Esabelle easily boom throughout the sanctuary! The top notes shimmered and sparkled on top of the organ’s singing pipes. During rehearsal the Congregational Church’s bells could be clearly heard through our open stained glass windows (required for in-person attendance to keep the air flow moving, but now makes the church a bit cold on these cooler New England autumn mornings).

Stoney End Esabelle sits in the pews at St. Stephen's Episcopal Church, Middlebury, VT

Stoney End Esabelle sits in the pews at St. Stephen’s Episcopal Church, Middlebury, VT

Stoney End Esabelle sits in the stained glass window light at St. Stephen's Episcopal Church, Middlebury, VT

Stoney End Esabelle sits in the stained glass window light at St. Stephen’s Episcopal Church, Middlebury, VT

 

We had success with our Zoom transmission and live presentation, and we hope to be bringing Luna harp in for an offertory sometime soon before the icy weather hits!

 

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The Trinity: An Introduction to Catholic Doctrine on the Triune God

by Gilles Emery, O.P.
Translated by Matthew Levering
Imprint: Catholic University of America Press
ISBN: 9780813218649

Currently reading this book in preparation for my upcoming sermon on Trinity Sunday, June 15, 2025.

De Trinitate – Saint Augustine

ISBN: 978-1-56548-446-7

Writing Sounds in Carolingian Europe: The Invention of Musical Notation

ISBN: 978-1-108-42140-9
Early Medieval (c. 900 AD) chant notation that does not use conventional staff lines or musical notes as we know them today... A study of paleographical music notation found in liturgical manuscripts of the early Christian era that is closer to pre-alphabet handwriting.

Europe in the High Middle Ages

ISBN: 0-670-03202-6


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Header: Stoney End Esabelle cross-strung wire harp & stained glass windows at St. Stephen's Episcopal Church, Middlebury, VT.

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